High tech class control
Watch this video from The Guardian on Camden, NJ. It’s ostensibly about police surveillance, and I was expecting to be outraged (once again…) at the use of over-the-top high technology – visual and audio surveillance – to deal with everyday crime.
But instead, what struck me was not so much the ostensible subject but the backdrop: the place itself. The areas patrolled by the officers in this film look almost post-apocalyptic. I’ve seen favelas in Rio de Janeiro that are in better shape, and many certainly seem to have more hope than this. Poverty and inequality in the USA, grounded in a history and present of racial and class exploitation, have become extreme. There’s no other way to put it.
And yet, outside of these places, which are everywhere across the USA, and ironically given the investment in technologies of visibility, the reality is invisible. The use of surveillance here is just a recognition of the lack of anything that amounts to a conception of a decent and fair society in practise, while people are still blinded by the noble goals of the USA as expressed in its constitution. This constitution means little to millions of Americans forced to live in these conditions, while being treated all the time as not even ‘potential criminals’ but simply ‘future criminals’, who will commit a crime at some point, and are destined for nothing more than to be churned through a carceral system that is in itself now a profitable and perhaps even essential component of American capitalism. However, this seems to have escaped the notice and concern of those who actually vote in elections and make decisions, whether they class themselves as liberals or conservatives, most of whom are so far removed from these conditions, physically and emotionally that they could not possibly understand.
This makes it even more bitterly ironic that The Guardian choses to title this report as ‘Minority Report meets The Wire‘, as if the only way to understand this is through fiction – that, somehow, it can’t be real. Yet here it is.